This year marks the 25th iteration of the Ice Hotel in Jukkasjärvi, about 17km outside Kiruna, located in Lapland. The venue is constructed by master ice carvers as a global vacation destination. The Ice Hotel is a seasonal destination open typically between November and March, the coldest time of the year above the Arctic Circle; it is rebuilt annually as it is composed mainly of ice and snow or "snice" used to bond the solid blocks together. Themed rooms and spaces are booked in advance for a unique and truly once in a lifetime experience. While the hotel is geared to those adventurous travelers that can put up with the (sub-zero degree celsius) interior temperature, the rooms are supplied with furs, animal skins and extreme-cold sleeping bags. It also has many amenities of a traditional hotel, including a chapel, the ICE BAR a sauna and a restaurant.
Journal
A chronicle of people, places, happenings, and creations we admire.
Jonas Edvard x Nikolaj Steenfatt: Terroir Project
Danish designers Jonas Edvard and Nikolaj Steenfatt have collaborated to create a truly green fabrication process using seaweed. Selecting only fresh seaweed from the Danish shoreline, they sort the material by color (dark to light) and hang dry it outdoors in the sun. They then pulverize the material and create a moldable glue-like mixture, a natural property of the alginate found in brown seaweed. It can be shaped and molded and then kiln-dried. The material used to create these chairs and lighting can even be broken down and reconstituted to create new forms. This is the very definition of sustainability.
Images ©Edvard/Steenfatt
CLIFF VAUGHS: THE STORY BEHIND THE "CAPTAIN AMERICA" CHOPPER
The "Captain America" chopper is arguably the most famous and recognizable motorcycle in the world, but the story behind its design and creation is little known to those outside of the motorcycle community. Cliff Vaughs, a lifelong motorcycle enthusiast, civil rights activist and film maker, met actor Peter Fonda as they both lived in West Hollywood in the 1960's. Fonda returned with Dennis Hopper to the backyard where Cliff was regularly found building his motorcycles to discuss early ideas of the iconic film "Easy Rider". Vaughs, then well-known as a biker, builder and designer in the community, was given the task of building (as Associate Producer) the motorcycles and scenic concepts with mentor and builder Ben Hardy, a major pioneer of the SoCal bike scene himself. He was also instrumental in hiring Director of Photography Baird Bryant (uncredited). Legend has it that Vaughs actually missed the 1963 March on Washington because he was working on one of his motorcycles at the time.
The Design
Vaughs created the famous "Captain America" chopper with the inspiration of the Marvel comic book character of the same name. The main characters "Capt. America and his sidekick "Bucky" led to naming the eponymous machine and the "Billy", steed of co-star and 'ER' film director Dennis Hopper. There were a total of four motorcycles built for the film, based on 40's and 50's Harley Davidson police motorcycles which Vaughs had purchased at auction for $500. With initial ideas given to him by Peter Fonda, Vaughs, with Hardy set forth to create the most iconic motorcycle ever captured on film.
NOTHING TO WEAR: PIA MOUWITZ
"With a picture of all my clothes, I want to see for myself and try to understand the value of each garment and what meaning they actually have." -- Pia Mouwitz
HV Galleri in Stockholm is holding a exhibition "Nothing To Wear" created by Pia Mouwitz, University of Borås Senior Lecturer on textiles and fashion. "NTW" addresses the old adage we have all uttered when staring at our wardrobes, "I have nothing to wear". Mouwitz took this to the next level, she photographed her entire wardrobe and created a contact sheet of sorts to analyze this prevalent condition (or question) is this really true? With this fascinating visual study, Pia seeks to find the value of each piece of clothing in the greater landscape of her collection of garments.
Swedish Fashion Week is on now until February 6th.
THE NEW 2016 FORD GT.
The New Ford GT debuted today at the North American International Auto Show (NAIAS) in Detroit to great anticipation. Seeming to touch on visual cues from the road-only Mk III (opinions?), the New (New) Ford GT promises world class performance and construction techniques. There is also chatter that it could make its competitive debut at this year's LeMans 24 Hours. We think its bloody gorgeous.
Ford Redefines Innovation in Aerodynamics, EcoBoost and Light-Weighting with All-New Ford GT Carbon Fiber Supercar
• All-new Ford GT supercar sets new standards for Ford innovation through performance with advances in light-weighting, aerodynamics and ultra-efficient EcoBoost® engine
• Ford GT features the most powerful EcoBoost production engine ever – a new twin-turbocharged Ford EcoBoost V6 producing more than 600 horsepower
• Ultra-high-performance supercar is Ford’s most extreme offering, infused with race-proven technology engineered to keep company with exotics when it goes into production in 2016
Video Courtesy Ford Motor Co. via Road &Track 2015
Bang & Olufsen BeoPlay A2
Bang & Olufsen return with another innovative offering in the Bluetooth speaker segment. The BeoPlay A2 is beautifully detailed and has 24-hour playback capability. With True360 sound technology the "sweet spot" is wherever you place it . Clocking in at 1.1kg (2.5 lb.), it's sturdy without the bulk or heavy weight. The BeoPlay A2 comes in an assortment of colors and a 3-year warranty.
Riverbed: Olafur Eliasson | Lousiana Museum of Modern Art, Denmark
Olafur Eliasson's take on Louisiana is radical, fascinating and unique. The central work in the first solo exhibition at the museum by the Danish-Icelandic artist is a huge, sitespecific project that reverses the relation between nature and art.
The transitions between inside and outside, culture and staged nature, become fluid and transitory – and the progress of the visitor through the museum becomes a central issue. The exhibition consists of three sections that each thematize the encounter between Eliasson’s art and Louisiana as a place. Transforming the entire South Wing into a rocky landscape, Riverbed, Eliasson focuses on inhabiting space in a new way and inserts new patterns of movement into the museum.--
-- Louisiana Museum of Modern Art