Journal

A chronicle of people, places, happenings, and creations we admire.

LeSportsac × BEAMS / Spring 2015

BEAMS Japan have collaborated with LeSportsac on a new bag line with a clever synthesis of a Native American motif and the BEAMS 'Jacquard' logo.   The range covers everything from the Extra-Large Weekender to knapsacks to card holders.  These lightweight, versatile and easy to maintain bags have the LeSportsac DNA that have made the company a fashion juggernaut in the late 70's, 80's and 90's.  BEAMs Co., Ltd, founded in 1982 continues to innovate with clever products and collaborations such as this.

Follow @BEAMS_JP

How to be a Proper New Yorker: Tip No.4

Ask For Directions

We may have a map and a compass-like mind
Let's ask anyway, what we're trying to find

One may be a fantastic detective
but asking directions gives a different perspective

The locals know what's what and what's not
maybe that bar isn't really our kind of hot...

Get Lost

Using all our incredible senses
is not among life's biggest offenses

Let's put the smartphone away 
and wonder about, just stray

Explore and experience more!

Isn't that what we're all here for?

Leica M-P Edition 'Safari'

The extremely limited M-P Edition 'Safari' from Leica is finished in exquisite and durable olive green enamel and is resistant to fingerprints, chemicals, solvents and UV light; the iconic 'Leica' brand script etched atop the camera body.  All of the exterior metal body parts are machined from solid brass.  It's so exclusive, you won't even find the usual red Leica 'Dot' logo on the front.

This modern digital instrument, meant for amateurs and professionals alike, is absolutely drenched in heritage paying homage to the fabled Leica brand as the leader in serious photography equipment.  The M-P Edition 'Safari' comes with a beautiful leather strap and memory / credit card holder.

Follow @Leica_Camera

Eton of Sweden

The Swedish shirtmaker, begun in 1928 by David and Annie Pettersson, to this day, remains one of the world's leading  producers of fine shirts, suiting and accessories.  At the "Syfabriken' in Gånghester, near Borås in southern Sweden, a happy accident of sorts occurred at the beginning of the Great Depression, after the Pettersson's were forced to close their sawmill.  They retooled their factory to create shirts, and sublet surplus space to local shoemakers and manufacturers to keep the lights on, the company was renamed "Skjortfabriken Special", or 'Special Shirt factory'. 

With steady production until the end of WWII, the premium fabrics ban was eventually lifted, compelling the Pettersson's to venture out to find still finer and more varied fabrics for their products.  They eventually made it to London, eventually opened a shop there and the Eton name was established.  This was a result of finding a name that would be easy for English-speakers to pronounce, while at the same time adding prestige, naming the company after the exclusive men's college.

Audi at the Geneva Motor Show 2015

The 2015 Geneva Motor Show opens this week, where Audi AG debuts the new R8 and R8 V10 Plus, along with other concepts like the Prologue Avant, a (possible) glimpse into the future of the vaunted A9 platform currently under development.

R8 / R8 V10 Plus / R8 E-Tron

Quite possibly the most thoroughly resolved of its development, the new R8 pulls the new body panels even tighter around its now famously aluminum chassis, it appears to be leaping forward even at rest.  Front and rear aero is cleaned up considerably, rear exhaust exits are now further integrated into the rear diffusor along with the rear heat vents.  The side 'blades' are now visually 'woven' into the body panels giving it a more lengthened appearance; the belt-line, greenhouse, rear haunches and nose now look like they were carved from a single solid ingot.

The R8 offers a 601 bhp 5.2 liter V-10 only for now, with a new V8 coming online later in the production cycle; this is counter to traditional rollouts that had initially offered a V8 with the higher output V10 following.  The E-Tron version is a fully electric version with an achieved 280 mile range, giving production a green light.

Prologue Avant Concept

The Prologue Avant is the next concept variant to bow giving a possible preview to the much discussed A9 program. The coupe received positive reviews at the Los Angeles Auto Show last year, and this latest offering expands the range of ideas brought forth from Ingolstadt as the new flagship platform continues to be developed.  Prologue Avant increases the scale of Europe's most popular upmarket form factor (estate / shooting brake)  for transcontinental travel in comfort with the preserved drivability, usability and fuel efficiency of traditional platforms vs. SUV's and crossovers that are more popular in the US.

RS3 / RS4 / RS6

Audi RS returns with facelift programs for its RS estate cars, new front and rear facias, interior finishes and wheel options for 2016.

TT / TTS

The long-popular TT coupe is all new with re-proportioned grille, an innovative instrument cluster with integrated navigation and information, and a harder edge throughout while keeping the classic 'teardrop' shape that was inspired by the streamlined Auto Union speed record cars of the 1930's.

R8 LMS

The LMS program for 2016 focuses on safety, to meet the latest GT3 competition regulations for enhance integrity of the driver cabin on impact.  A new insulated floor and rear diffusor allow the use of a smaller (yet still quite large) rear wing with no increase in drag. Audi plans to enter the works LMS at Nürburgring and Spa endurance races later this year.

R18 E-Tron Quattro

Audi's legendary prototypes, piloted by Tom Kristensen (recently retired), André Lotterer, Benoît Tréluyer and Allan McNish have dominated FIA WEC (World Endurance Championship) for over a decade; this latest version of the prolifically successful LMP1 car looks to beat back the challenge of Porsche, Toyota and Nissan for the 2015-2016 season.  Audi and its R18 have led the industry in diesel / hybrid / electric technology development on the racetrack with the adaptation of such systems for road car use.

Images ©Fourtitude.com / G. Achorn / Audi AG

Upcoming at MoMA: Björk Retrospective

Last night's party at MoMA to kick off the Björk retrospective (opening March 8th) was a heady mixture of art world cognizenti, designers, press, society mavens and those dozens of diehard fans and followers that came dressed in full costumes of their own creation.  Open bars were humming on all floors with friendly and attentive staff; bowls of beef jerky and deep fried potato chips were a welcome and imaginative offering for the evening.

Spanning from 1993's "Debut" after the breakup of the Sugarcubes to the present with her latest album, "Vulnicura", the retrospective covers (most) of her body of work, with the exception of, oddly, the soundtrack from "Dancer in the Dark".  The many (let's just say wacky) costumes and concepts exhibited spoke loudly to her commitment to pushing her ever-morphing envelope at the intersection of music, sound, fashion and film.  

Shown in a black-box felt volcano-lined viewing room, the short film "Black Lake", an ode to love, pain and lament, (presumably based on her breakup with artist Matthew Barney) filmed in and around Iceland's many volcanoes and caves, shows Björk at one point cracking open, bleeding blue lava to aching violins and heavy percussion.  In another viewing room, the extended film includes everything from "Debut" to "Biophilia", with arresting, beautiful and sometimes disturbing imagery that could never be accused of being derivative.

The retrospective runs from March 8-June 7, 2015

www.moma.org

Follow @bjork

Images ©2015 KoS

PRADA Women's FW2015: "Infinite Palace" By AMO

For the Prada FW 2015 Women’s fashion show, AMO converts PRADA's existing Milan show space into a series of chambers or 'Enfilade' where openings are aligned creating a journey of experiences and variations on a theme referencing the style of 16th Century Mannerism. 

Expanded metal grating denotes spatial transition between the rooms as well as concealing/complimenting the industrial lighting above while key zones of the 'runway' floor are marked with industrial diamond plate inserts of various shapes.  The audience seating is arranged at each room's perimeter creating an intimacy as the models pass through. The muted color palate in varied degrees play light and shadow within the space and contrast (whether intentional or not) the dynamic and static participation of model and audience.

Images ©OMA/AMO